My Yellow-faced Pocket Gopher seems to be suffering from some kind of oral infection marked by a crusty discharge and pain in the throat and gums. How do you suppose I ought to treat this? Is it true that it’s transmitted by fucking barn owls?
Perhaps the healing power of whale music might help. Scott Burgess has the details from The Guardian, champion of global warming scientists.
Mark Philip Alger of the Baby Troll Blog wrote this morning:
About Friggin’ Time~ ::.
DIDN’T SAY ANYTHING AT THE TIME because it would have seemed churlish, but I have missed Jeff Goldstein badly, so it is with considerable joy that I behold the last of his guest bloggers heading out the door.
After a long hiatus from full-time posting, Jeff Goldstein’s back at Protein Wisdom, much to the delight of his fans. Drop by and welcome him back.
Thank Grid
You hurt my feeling, Mark Philip Alger. But I suppose this is as good a time as any for me to make my departure. Adieu, adieu. Thanks for having me over, Jeff, and thanks for playing, the rest of you. I am glad, at least, that I can go out on a high note, posting about Pocket Gophers and whale songs. *POOF*
CLEOPATRA.
O Charmian, I will never go from hence!
CHARMIAN.
Be comforted, dear madam.
CLEOPATRA.
No, I will not:
All strange and terrible events are welcome,
But comforts we despise; our size of sorrow,
Proportion’d to our cause, must be as great
As that which makes it.–
[Enter, below, DIOMEDES.]
How now! is he dead?
DIOMEDES.
His death’s upon him, but not dead.
Look out o’ the other side your monument;
His guard have brought him thither.
[Enter, below, ANTONY, borne by the Guard.]
CLEOPATRA.
O sun,
Burn the great sphere thou mov’st in!–darkling stand
The varying shore o’ theworld.–O Antony,
Antony, Antony!–Help, Charmian; help, Iras, help,–
Help, friends below;–let’s draw him hither.
ANTONY.
Peace!
Not Caesar’s valour hath o’erthrown Antony,
But Antony’s hath triumph’d on itself.
CLEOPATRA.
So it should be, that none but Antony
Should conquer Antony; but woe ‘tis so!
ANTONY.
I am dying, Egypt, dying; only
I here importune death awhile, until
Of many thousand kisses the poor last
I lay upon thy lips.
CLEOPATRA.
I dare not, dear,–
Dear my lord, pardon,–I dare not,
Lest I be taken: not the imperious show
Of the full-fortun’d Caesar ever shall
Be brooch’d with me; if knife, drugs, serpents, have
Edge, sting, or operation, I am safe;
Your wife Octavia, with her modest eyes
And still conclusion, shall acquire no honour
Demuring upon me.–But come, come, Antony,–
Help me, my women,–we must draw thee up;
Assist, good friends.
ANTONY.
O, quick, or I am gone.
CLEOPATRA.
Here’s sport indeed!–How heavy weighs my lord!
Our strength is all gone into heaviness;
That makes the weight: had I great Juno’s power,
The strong-wing’d Mercury should fetch thee up,
And set thee by Jove’s side. Yet come a little,–
Wishers were ever fools,–O come, come;
[They draw ANTONY up.]
And welcome, welcome! die where thou hast liv’d:
Quicken with kissing: had my lips that power,
Thus would I wear them out.
ALL.
A heavy sight!
ANTONY.
I am dying, Egypt, dying:
Give me some wine, and let me speak a little.
CLEOPATRA.
No, let me speak; and let me rail so high
That the false huswife Fortune break her wheel,
Provok’d by my offence.
ANTONY.
One word, sweet queen:
Of Caesar seek your honour, with your safety.–O!
CLEOPATRA.
They do not go together.
ANTONY.
Gentle, hear me:
None about Caesar trust but Proculeius.
CLEOPATRA.
My resolution and my hands I’ll trust;
None about Caesar.
ANTONY.
The miserable change now at my end
Lament nor sorrow at: but please your thoughts
In feeding them with those my former fortunes
Wherein I liv’d, the greatest prince o’ the world,
The noblest; and do now not basely die,
Not cowardly put off my helmet to
My countryman, a Roman by a Roman
Valiantly vanquish’d. Now my spirit is going:
I can no more.
CLEOPATRA.
Noblest of men, woo’t die?
Hast thou no care of me? shall I abide
In this dull world, which in thy absence is
No better than a sty?–O, see, my women,
[Antony dies.]
The crown o’ the earth doth melt.–My lord!–
O, wither’d is the garland of the war,
The soldier’s pole is fallen: young boys and girls
Are level now with men: the odds is gone,
And there is nothing left remarkable
Beneath the visiting moon.
[Faints.]
CHARMIAN.
O, quietness, lady!
IRAS.
She is dead too, our sovereign.
CHARMIAN.
Lady!–
IRAS.
Madam!–
CHARMIAN.
O madam, madam, madam!–
IRAS.
Royal Egypt, Empress,–
CHARMIAN.
Peace, peace, Iras!
CLEOPATRA.
No more but e’en a woman, and commanded
By such poor passion as the maid that milks
And does the meanest chares.–It were for me
To throw my sceptre at the injurious gods;
To tell them that this world did equal theirs
Till they had stol’n our jewel. All’s but naught;
Patience is sottish, and impatience does
Become a dog that’s mad: then is it sin
To rush into the secret house of death
Ere death dare come to us?–How do you, women?
What, what! good cheer! Why, how now, Charmian!
My noble girls!–Ah, women, women, look,
Our lamp is spent, it’s out!–Good sirs, take heart:–
We’ll bury him; and then, what’s brave, what’s noble,
Let’s do it after the high Roman fashion,
And make death proud to take us. Come, away:
This case of that huge spirit now is cold:
Ah, women, women!–Come; we have no friend
But resolution, and the briefest end.
[Exeunt; those above bearing off ANTONY’S body.]
I heard you can get it just by sitting on a barn owl.
Poor thing hardly wants to burrow anymore.
Ha! Serves you right yellow face!
Lording it over us poor pink-faced pocket gophers with your high IQs and Harvard degrees.
And I don’t think the whales are going to help you any, with your bloody harpoons!
I am happy to say that I have been able to bring a little more joy into Algie’s life, by leaving a comment on his site. He doesn’t get very many, you know.
I can’t picture Antony as anything except a self-pitying, morose alcoholic.
Damn Richard Burton…
I have the same problem with Mark Philip now
ANTONY.
Wait! I’m not dead yet!
CLEOPATRA.
Charmian, bring me an asp.
CHARMIAN.
Where shall I get one?
CLEOPATRA.
The asp merchant, you dolt! Geez, do I have to do all the thinking around here?
Talk about milking a scene. The “Goodnight, sweet prince” bit from Hamlet would have been better.
Frankly, I think Cleopatra killed Antony when she caught him squeezing the Charmian.
ANTONY.
Soft! Do I linger yet? Bugger! I have botched my quietus!
ANTONY.
Line!
Line!
“. . . to bury Caesar, not to praise him.”
Opps, wrong play.
RAGE! RAGE!
Ah…just checked the comments in the post above and you’re not exactly going gentle are you Anthony.
The old TW hasn’t quite got back to normal. might it came up with. Not night or light, but at least it rhymes
…to seize your berry, not to appraise it!
Because I see you’re in a bit of a jam…
He did not go gently into that good night.
Aw, Dan! You weren’t supposed to notice.
And… I was here, lurking, every day.
And your stuff is good, just…
Oh, c’mon. You know Jeff is a star! Gimme a break. Who’s dying here, anyway?
ANTONY!
Where’s my Fresca?
M
Glad you’re not being all melodramatic about it, Dan . . .
I must say I can never again trust our marine mammalian friends (despite The Hitchhiker’s Guide) because, in All the Trouble in the World, P. J. O’Rourke describes how the Amazonian dolphins would only show themselves when he and his fellow travellers sang Judy Collins songs, nothing else. And then they would really show themselves, do flips, come up by the boat and let themselves be touched, etc. So I think we really have to question the intellegence of the cetaceans here.