The super-busy Thersites, who hasn’t the time to “dismantle” me in full, has, nevertheless, decided to give me a “taste” of what I’m up against. In a post titled “A Taste of Paste” (Atrios would be so proud! 10% off hotel fees at “EschaCon II: Attack of the Clones” for you, you big lug!), Thersites begins his dismissive onslaught. After quoting from the intro to my course notes— The course
language / intentionalism
Because it’s not often one gets to debate a man who admits to drinking daiquiris
Skimming through Technorati, I came across a link to pw from metacomments—an Atrios fanboy site run by “Thersites” (whom I understand to be an English professor in addition to a proud EschaCon attendee)—in which Master Thersites affects his best bemused stance and suggests (glancingly, and without committing himself to a single refutation) that my understanding of interpretive theory is, well, not quite up to snuff: And why I did this
Monkey Shines
Long-time readers of this site have heard me mention this before, but several years back, while teaching an honor’s seminar in interpretation theory, I made the intentionalist argument via a backhanded play: having assigned H.A. and Margret Rey’s Curious George to my class, I supplied along with it three essays (ostensibly from scholarly journals), each purporting to analyze the story through a specific theoretical lens. The essays were fakes (see
Ends, means, the “progressive” left, and language (updated)
From Jonah Goldberg, writing in the Corner: Please read this post by Garance Franke-Ruta over at Tapped on what “movement-building” demands of liberal bloggers. It certainly reads to me like she’s upset that liberal bloggers are being too intellectually honest. The upshot of Franke-Ruta’s position seems to be that deliberately distorting Bill Bennett’s intent and meaning is a small price to pay to villify him unfairly and for the added
Bennett and the linguistic turn, redux
In response to my post yesterday about intentionalism as it applies to the Bill Bennett dustup, Politechnical Institute writes: There are two factors at work here—one, an intellectual understanding of how communication works, and two, a political understanding of how the current reality works. First, communicators must ALWAYS be aware of how their messages may be interpreted. This is standard business and political doctrine. If this were purely about intent,
Moribund intentionalism and the death of the author II: The Wrath of Cant
Fresh from insisting that I write like shit, someone calling himself “frameone,” pontificating at length in ODub’s comments, follows up on yesterday’s discussion of racist sigification by setting the intentionalists straight: You guys misunderstand. Articulate doesn’t just mean what it means, it also signifes a level of cultural capital that, by and large, goes without saying (unconsciously) when whites speak positively about other white peers. (A white adult might refer
Moribund intentionalism and the death of the author
Another object lesson to drive home just what is likely to happen when the signifier (be it an arc, the graphic outline of a swirly cone, or a scribbled mark) is removed from its intentional moorings—this time provided by Oliver Willis, in a typically moronic post. Seizing on Ed Morrisey’s use of the word “articulate” to describe Michael Steele (a Black man), Oliver Willis—who, let’s face it, has never met
The swirly cone of Allah and the Flight 93 Memorial, redux
My earlier post on the real-world implications of linguistic notions of interpretation raised some interesting questions, which I’ll attempt to address in short order as a way to move the conversation to a more manageable thread. Quickly: The Piss Christ, which some of you have offered as an example of a hypothetical wherein the piece is offensive regardless of the artist’s intent to offend, is an inapt example, I think—first,